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An Elegant, Six Panel Resist Dyed Indigo Noren

March 5, 2010

What a striking, paste resist, indigo dyed cotton noren or door covering.  It is sewn from six panels which creates an almost monumental presence, the actual size being 68″ x 73″ or 163 cm x 185.5 cm.

Noren1Centrally placed is the large, mon, or  family crest, in this case it is an unusual, stylized rendering of kashiwa or oak.  Beneath the mon in stepped formation is the wonderfully zigzag matsukawa bishi or pine bark motif.Noren01This noren probably dates to the early twentieth century–perhaps just a bit earlier.  Its size indicates that it was probably meant to hang in front of a building; also indicative of this is the very tightly woven, heavy cotton which would have been strong enough to withstand the elements, street traffic and its dust and dirt.Noren01bNotice how the matsukawa bishi pattern interlocks and creates another iteration of itself in the negative spaces?  Notice, too, how the selvedge edge of each panel is finished: each edge is back stitched in contrasting, white thread.Noren01cThis is a beautifully designed, beautifully executed old noren.

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Kaki Shibu Dyed Textiles

November 28, 2009

Today I am showing some textiles that were “dyed” in the fermented juice extracted from unripe persimmons; this extract, called kaki shibu in Japan, yields a highly recognizable brown color when applied to cloth, paper and wood.
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Kaki shibu was very widely utilized in old Japan as it was easy to apply and its benefits were useful: kaki shibu strengthened  the material it saturated, rendered it somewhat waterproof, and was also said to contain anti-bacterial properties.

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Here we see a group of antique sakabukuro, or cotton bags that were saturated with green persimmon tannin and were used to filter crude sake.  If cloth is dipped many times in kaki shibu, a leathery look results from the build-up of layers of kaki shibu.

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Since sakabukuro were used and re-used many, many times over a period of several years, they required mending.  The mending stitches on sakabukuro are unmistakable, and the more mending there is, the more attractive the bag–in my estimation, that is.

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Below is a detail of the resist-dyed  noren or door cover which is shown in full in the photo at the top of the blog.  It is beautifully worn and faded, and it is discussed a bit more in detail, here.

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If you are interested in kaki shibu,  have a quick look at this website who supplies the tannin and offers workshops.

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